Clip Art of Film Clip Art of 60s Tv
The mod world places a great deal of importance on physical health, emotional health, and fifty-fifty fiscal health. When it comes to mental health? Not so much. Agreement the litany of mental illnesses that exist in our communities is just equally valuable equally understanding who's part of the Fortune 500. Centuries ago, mental illnesses were attributed to dark magic or malevolent spirits. Then again, our ancestors lacked half of the noesis and resources that we have. Misconceptions regarding mental health and mental disease take no reason to persist.
Then, how does pop entertainment figure into this discussion? It'due south no cloak-and-dagger that representation matters. Seeing accurate, nuanced depictions of mental illness and disorders not only helps folks living with those illnesses, disorders, and conditions feel seen, but such portrayals of existent-life experiences can be a fashion to educate, build back up, and dispel harmful misinformation. Not to mention, it tin assist folks feel less ostracized.
However, according to a written report conducted by the USC Annenberg Inclusion Initiative (USC AII) and published in May 2019, "Out of 4,598 speaking characters across the 100 superlative films of 2016, merely 76 [or 1.7%] were depicted with a significant or persistent mental wellness condition." Every bit the written report points out, this is a stark dissimilarity with our reality: roughly xx% of adults in the U.S. live with a mental health condition and/or mental affliction. Without a doubt, art has the propensity to dismantle stigma and stereotypes surrounding mental illness — and it'due south well-nigh fourth dimension film and television harness that potential.
Editor'due south Note: This article contains mentions of various mental illnesses and mental health disorders every bit well equally discussions of how some of these illnesses and disorders are portrayed, both accurately and poorly, in moving picture and TV. Additionally, while the films and TV shows at the terminate of the article depict mental affliction and mental wellness disorders accurately for the most part, it's important to note that these depictions may not resonate for some readers equally everyone'south experience with mental illness and mental health disorders is nuanced and specific.
Why Is Information technology Important to Accurately Depict Characters With Mental Affliction?
In both mediums, mental health is frequently stigmatized, used as a plot device, or trivialized — y'all know, made into a character "quirk" instead of beingness taken seriously. The aforementioned report found that, of 87 film characters who have mental health conditions or mental illness, 47% of characters were disparaged; 22% of characters' mental health atmospheric condition or mental illness were met with sense of humour; and xv% of characters felt the need to conceal their mental health condition or mental illness.
Moreover, when characters with mental illness are portrayed on screen, 46% of them were found to be perpetrators of violence. Regardless of intention, near films and shows unfortunately normalize name-calling, with characters slinging words like "psycho," "crazy," "freak," "featherbrained," "nuts," "weird" and "monster" at other characters who outwardly express a mental health condition or affliction.
The written report also shows that when there is representation, it's not reflective of most audience members' identities or experiences. For instance, while 20% of teenagers in the U.S. experience a mental health condition, only seven% of film characters (of that 87) were teens.
Moreover, Mental Wellness America found that 6.eight million Blackness Americans study having a diagnosable mental affliction, but, despite this fact, only eleven of the characters with mental health atmospheric condition surveyed by USC AII were Black. This trend of underrepresentation continues for all people of color: But four of the characters in the survey were Asian; only one graphic symbol was multiracial; and none of the characters identified equally Hispanic, Latinx, Middle Eastern, Native Hawai'ian or Pacific Islander, or as Indigenous or First Nations peoples.
Additionally, the National Alliance on Mental Illness (NAMI) has found that LGB adults are more than than twice every bit probable as direct adults to experience a mental health status. Non to mention, LGBTQ+ people are at a higher risk than cis and/or direct folks for suicidal thoughts and suicide attempts. But portrayals of mental illness ofttimes leave out the LGBTQ+ community as well. Out of 50 Goggle box shows surveyed by USC AII, just 8 LGB characters experienced mental health conditions, while the transgender community wasn't represented at all. And, out of 100 films, none of the characters with mental health conditions identified equally existence function of the LGBTQ+ customs.
All of this is to say that, in addition to stigmatizing mental illness, on-screen depictions oftentimes don't account for the multifaceted experiences of most folks, nor practise these depictions account for the way the aspects of an private'due south may intersect. In fact, there's hardly any accounting for diverseness in race, gender or sexual orientation at all, nor is at that place an endeavour to understand how those intersections of identity may interact with mental health weather condition or disease. So, how tin creators work toward more than authentic, nuanced and safe portrayals of mental disease?
Common Onscreen Faux Pas When It Comes to Depicting Mental Illness
In order to shift how stories portray characters with mental wellness weather and mental affliction, USC AII suggests that writers inquire themselves a very fundamental question: Why am I telling this story? This can aid creators avert common pitfalls, similar depicting unnecessary stigma, using a mental health condition as a plot device, and/or making mental illness into the punchline. To be frank, the lived experiences of folks who have mental health conditions and illnesses are missing from popular civilisation.
And, when these experiences are depicted, they're oftentimes displayed irresponsibly: Netflix's thirteen Reasons Why was heavily criticized for its delineation of death past suicide, an deed that's often romanticized or shown as "the merely option" a character can make. As in life, medication is stigmatized, with characters eschewing treatment because it inhibits them in some way — such as the old trope of an artist who can't create because they feel blocked by their medication. Moreover, because mental health conditions and illnesses are stigmatized and often associated with shame — a dark clandestine a character must hibernate or can't talk nearly — they often aren't surrounded by any sort of back up organisation.
And and then there'due south the clan between mental disease and violence that'due south specially prevalent in the horror genre, which derives scares from our very human fear of the "unknown" or the "unfamiliar." For example, in Alfred Hitchcock's classic Psycho , a movie that spawned countless slasher films, the primary character, serial killer Norman Bates, is given a "diagnosis" by a psychiatrist, who cites a "split personality" as the source of Bates' violent tendencies. "When the heed houses two personalities, there is always a battle," he says. "In Norman's case, the battle is over and the dominant personality has won."
Similar Psycho, many other critically acclaimed films, which have, in some cases, been praised for their delineation of mental illness, aren't without their faults. A writer for Resource to Recover states that although the Academy Honour-winning A Beautiful Listen "may take done more than whatsoever other popular movie to combat stigma and draw attending to the positive contributions of people with serious mental wellness disorders," it still misses the marker.
"The but trouble is that [the intriguing Soviet espionage plot line] all takes place in [John] Nash's head, every bit the audience discovers belatedly in the story," states Resources to Recover writer Jay Boll. "Hollywood loves twists, and mental affliction is one of its favorite plot devices for spinning a story in a new management. Only people with schizophrenia don't normally accept visual hallucinations where they encounter the homo players in their delusions represented before them."
Another acclaimed miss? Silver Linings Playbook . While the dramedy, which centers on two characters with bipolar disorder, may depict the toll mental disease takes on individuals and families in a more than realistic, nuanced way, it misses the mark when it comes to treatment and managing mental disease. That is, for near folks living with mental health conditions or mental illness, the day-to-twenty-four hour period is virtually managing — non "curing."
"Argent Linings Playbook is my favorite moving-picture show of all fourth dimension and it's very relatable," says The Mighty user Maddie B. "[Merely] it falls brusk in the ending where it gave an impression they were 'cured' by love. I don't retrieve that was the intention, but it looked that way." That is, the characters getting together feels inextricably linked to their mental well-beingness. Perhaps this speaks more than to the limitations of film and telly shows, which (feel the need to) resolve characters' "struggles" in 2 hours or less. But, limitations or non, this sort of resolution perpetuates the idea that something is "wrong" with the characters and that they tin heal one another if they simply endeavour hard enough.
Movies and Shows That Become Information technology (Generally) Right
But when information technology comes to mental health representation and the depiction of mental disease and disorders, it'south non all bad news. In fact, in the terminal decade a few standout shows and movies have made great strides past centering lived experiences; depicting characters who seek treatment and back up; and eschewing stigma — or at least having the main character navigate it authentically. Most of all, a common thread here is that the characters depicted in these pieces all learn in that location's no Hollywood-esque cure-all for their mental wellness conditions or mental illness. Instead, they acquire to manage and live with them.
Children'south Media: Animated Films & Shows
Inside Out (2015): In this landmark film from animation giant Pixar, a young girl named Riley (Kaitlyn Dias) deals with depression when her family unit moves from Minnesota to San Francisco. For those who haven't seen Inside Out, the film personifies the emotions that exist within Riley and influence how she presents herself to the outside globe. Two of those emotions, Sadness (Phyllis Smith) and Joy (Amy Poehler), drive the plot. By her nature, Joy simply wants to find a manner for Riley to be happy again earlier she completely shuts down.
On the outside, Riley represses her emotions and, while experiencing depression, lashes out at her parents and tries to run away. In the end, Sadness convinces Joy that information technology's more than okay to be lamentable sometimes — in fact, it'due south better to feel pitiful, to talk about those feelings, than to mask them with faux-happiness.
Steven Universe & Steven Universe Hereafter: Created by Rebecca Sugar for Cartoon Network, Steven Universe tells the coming-of-age story of the titular boy (Zach Callison). Although Steven's dad is a car wash-owning stone musician, his mom, Rose Quartz, was a Gem — a magical, humanoid conflicting from outer infinite. Years ago, Rose led her team of rebel Crystal Gems in a state of war against their alien Homeworld, all in an endeavour to protect Globe. Now, Steven has inherited her powers, life-force, drive to protect Earth — and, as information technology turns out, Rose's not-so-sterling legacy.
Most oftentimes, Steven Universe is touted (and rightly and so!) for its landmark queer representation, but the show as well does an incredible task of delving into mental illness and illustrating that i'due south mental health is simply equally important as their physical well-being. This can exist seen in quite a few characters and over numerous episode arcs, only, virtually recently, the show's spin-off series, Steven Universe Futurity , fabricated revolutionary strides. In this spin-off, Steven has saved the world(s) and is trying to find his place in everything.
The abilities Steven inherited from Rose take always helped him survive by imbuing him with what he needs in the moment. "It's [his torso and abilities] making him whatever he needs to be to get out of a life-threatening situation," Carbohydrate explained in an interview about Future . "The problem is that he'due south not in a life-threatening situation, just his torso has learned to react that way." Instead of confronting his ain needs, Steven continues to help others and push aside his trauma, all of which leads to him albeit his unbearable hurting, and, somewhen, receiving a post-traumatic stress disorder (PTSD) diagnosis.
Frozen (2013): This one may come equally a surprise to some readers. Certain, Frozen has an anthropomorphic snowman and a wildly catchy song that our brains just can't let become of, but Elsa (Idina Menzel) and her water ice powers are as well the perfect metaphor for dealing with anxiety and low, which director Jennifer Lee says is no coincidence. Later hurting her sis with her ice powers as a kid, Elsa, at the bidding of her parents, locks herself away in her room and lives by the mantra "muffle, don't experience." For Elsa, her past mistake means she "deserves" isolation — she feels she'southward a "bad person." In the finish, Elsa learns that she can't hide parts of herself; instead, she must manage her emotion-fueled powers.
Live-Activity TV Series
Lady Dynamite: Loosely based on comedian (and creator/star) Maria Bamford'south experience being hospitalized for bipolar disorder, Lady Dynamite doesn't treat the main character's mental disease equally an obstruction or every bit an excuse for surreal or comic moments. Writing for Slate, Evelyn Anne Clauson argues that the testify builds Bamford'south bipolar disorder "into the very fabric of its world… It's the rare comedy that shows us that the reality of mental disease is that darkness can coexist with creativity and fun and hope."
Crazy Ex-Girlfriend: Although at first this show seems similar information technology will exist all over-the-summit musical numbers and a lot of the main character Rebecca (creator Rachel Bloom) harping on her ex, Crazy Ex-Girlfriend really depicts a woman who is triggered by intimacy and relationships and who must navigate low, feet, OCD, fixation and borderline personality disorder. Throughout the show, Rebecca is unwilling to actually open upwardly to her therapist — a source of frustration for the viewer, which, in a way, helps underscore how important seeking handling really is for folks with mental illness. Writing for Self, Claire Gillespie notes that "At the crux of Crazy Ex-Girlfriend's success is its understanding that mental illness doesn't end with a diagnosis."
1 Day at a Time: With three potent seasons on Netflix, this heartfelt reboot of the classic Norman Lear sitcom centers on the Cuban-American Alvarez family unit. Without sacrificing a mod perspective — and the desire to bargain with topics other sitcoms would balk at — One Day at a Fourth dimension still holds onto that filmed-in-front-of-a-live-studio-audience feel. Apart from being a keen comedy, this reboot stands out because of the way it holds space for those who may not have seen their own lives and concerns reflected in the sitcoms of yesteryear.
When it comes to mental health disorders and mental illness, Ane Twenty-four hours at a Time's main grapheme, Penelope Alvarez (Justina Machado), lives with post-traumatic stress, which stems from her time as a United States Regular army Nurse Corps veteran. The show confronts the stigma surrounding mental illness and disorders head-on: Penelope grapples with sharing her diagnosis, attending a support grouping, asking for help, and taking medication — all of which makes this honest portrayal incredibly important.
Y'all're the Worst: In the 2nd season of FXX's edgy dramedy You're the Worst, one of the show's principal characters, Gretchen (Aya Cash), spends a day drinking and essentially running abroad from a depressive episode. Of course, she can't outrun information technology. Moreover, she realizes she can't hide her diagnosed clinical depression from her partner. Fearing she'll alienate him, Gretchen downplays her clinical depression, but, as Vulture points out, "what's especially striking nigh this scene is that it takes place in an episode that is, by and big, overly comic." That is, the surrounding circumstances are funny, but the character'southward mental wellness is never the punchline.
Live-Action Films
The Perks of Existence a Wallflower(2012):Writer Stephen Chbosky decided to adapt his seminal young adult novel into a film because he feels information technology's "harder to experience solitary if yous see dozens of people around y'all laughing and crying or nodding their heads at the aforementioned issues." It also helps that the film depicts the main grapheme Charlie's (Logan Lerman) depression in a nuanced, genuine way: Charlie makes new best friends and shares real happiness and laughter with them. What he doesn't share? Everything that's bottled up inside of him.
The film has also received praise for how it portrays post-traumatic stress insofar as Charlie is navigating his memories of babyhood sexual corruption in add-on to a depression that those around him link to other events in his life. Moreover, Charlie'due south romantic relationship with Sam (Emma Watson) doesn't magically set up or save him; instead, she's simply one part of his back up organization and helps him, boundaries in tact, to navigate his mental illness.
Horse Girl (2020): Chosen an "unorthodox" take on mental disease by IndieWire, Horse Girl stars Alison Brie (Glow, Promising Young Woman) as Sarah, a young woman who finds her twenty-four hour period-to-day life uprooted after her dreams seem to spill into her existent life. As the film progresses, the audience learns that Sarah'southward family has a history of mental disease, which makes her, at times, unwilling to trust what she'south seeing or thinking. Dissimilar other thriller-like films that toe that non-quite-sure-what's-real line, Horse Girl feels more than intentional.
Not only is the motion picture anchored by Brie'southward strong functioning and a Charlie Kaufman-esque narrative construction, but it's informed past the star's own lived experiences. Calling it "quite a personal project," Brie explained that her graphic symbol stems from her ain family history. "My female parent'due south mother lived with paranoid schizophrenia and I grew upwards hearing stories about her and my mother's childhood and only knowing that mental illness existed in my bloodline," Brie told IndieWire. "The older I get and the more than I have my ain bouts of depression and struggles I become acutely aware that this [mental disease] is in my Deoxyribonucleic acid."
Synecdoche, New York (2008): Speaking of Charlie Kaufman, the author-director'due south post-modern film, Synecdoche, New York, never puts a proper noun to what its protagonist, Caden (Philip Seymour Hoffman) is experiencing, just it does resonate as a depiction of mental illness in some means. Caden, a theater managing director, attempts to phase an increasingly elaborate testify — in fact, it goes on for years and years because he can't quite get his magnum opus right; doppelgängers, akin to folks in his shrinking personal life, populate the cast and crew; and, in general, his dedication to depicting realism end upwardly blurring the lines betwixt his play and his life.
Information technology takes the Shakespearean notion of "a play within a play" much further. We run across Caden strive for perfectionism, deal with intrusive thoughts, and grapple with the anxiety surrounding how others perceive him and his work, all of which feel akin to how some individuals feel obsessive-compulsive disorder (OCD), even if the pic never names it.
Melancholia (2011): The moving picture'due south manager has said the aptly-titled Melancholia stems from his ain experiences with a depressive episode, but, even more than so, it'due south the execution of this flick that really resonates. The story centers on two sisters, Justine and Claire, played past Kirsten Dunst and Charlotte Gainsbourg respectively. While Justine prepares for her wedding, she navigates her low — every bit well as the fact that a rogue planet is set to collide catastrophically with World. Often, information technology's difficult to capture depression on motion picture or in writing, but Affective's pervasive sense of impending doom, of sluggishness, feels like an apt way to portray the protagonist's mental health disorder.
Source: https://www.ask.com/culture/mental-health-representation-tv-film-awareness-month?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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